They rolled her voice to about 200hz. Low cut your vocal reverb and create a wetter crisp tail and a decent predelay to create the illusion that she’s closer
Tame the low mids in the vocal reverb. Bring out acoustic guitars on the chorus parts. Duck your main mix for the guitar solo. Make sure all the parts and tracks are in the mix. Tracks are missing in the mix or possibly turned down. Snare is a bit more meaty than the kick and needs to be set back a bit with a bit of reverb. To dry a hit. I’d pan synth whistle one side and guitar melody other side to create the sense of instruments speaking to each other from across the room.
They rolled her voice to about 200hz. Low cut your vocal reverb and create a wetter crisp tail and a decent predelay to create the illusion that she’s closer
Tame the low mids in the vocal reverb. Bring out acoustic guitars on the chorus parts. Duck your main mix for the guitar solo. Make sure all the parts and tracks are in the mix. Tracks are missing in the mix or possibly turned down. Snare is a bit more meaty than the kick and needs to be set back a bit with a bit of reverb. To dry a hit. I’d pan synth whistle one side and guitar melody other side to create the sense of instruments speaking to each other from across the room.